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Georges Didi-Huberman

Philosopher and art historian. Author of numerous publications on the history and theory of images. Among his most notable texts are Ce que nous voyons, ce qui nous regarde (1997), Ouvrir Vénus. Nudité, rêve, cruauté (1999), Devant le temps. Histoire de l’art et anachronisme des images (2000), L’Image survivante. Histoire de l’art et temps des fantômes selon Aby Warburg (2002), Images malgré tout (2004), Gestes de l’air et de pierre. Corps, parole, souffle, image (2005), and Ex-voto: image, organe, temps (2006). He is currently lecturer at the École des Hautes Études en Sciences Sociales in Paris.

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