Logo Fundació Antoni Tàpies

28 April – 10 June 2012

Antoni Tąpies. The Collection, # 3

The Fundació presents a new selection of works by Antoni Tąpies belonging to the Collection. The show, displayed on this occasion in Spaces A and B, includes different moments in the artist’s creative career from the 1940s to the present, and illustrates the evolution of his typologies, techniques and materials.

The visit begins with a selection of earlier works in which two opposing procedures can be seen: on the one hand, the interest in extra-pictorial materials and the density of matter, noticeable in the works of 1946 and 1947 such as Zoom (1964) and Newspaper Cross (1946-7); on the other, the tendency towards surrealism, which in the case of Tąpies suggests influences of Joan Miró, Paul Klee and Max Ernst, visible in works such as Parafaragamus (1949) or the series of drawings Natural History Series (1950-1951). Tąpies reaches the stage of maturity in the biennium 1954-1955 with works that recover the initial interest in matter and its stages of formation and deformation, the so called matter paintings, works such as Large Matter with Lateral Papers (1963) and Grey, Orange and Pink (1967), among others. The exhibition also features works from the end of the 1960s and 1970s, in which, on the one hand, the artist incorporates the object - appreciable in works such as Chair and Clothes (1970) and Wood and Windows (1976) -, and, on the other, expresses its political vocation, visible on a canvas of 1976 created in memory of the activist Oriol Solé i Sugranyes, killed by the Guardia Civil after he fled the prison in Segovia in April of that year (Composition with Numbers). The exhibition continues with works from the 1980s, characterized by the general use of varnish (Evil Painters, 1988, a work that refers to the writer, philosopher, mystic and theologian of the thirteenth century Majorcan Ramon Llull; Diptych in Varnish, 1984) and the use of refractory clay (Trainer, 1986; Block with signs, 1988; Heap of Earth, 1989), and closes with a sample of recent pieces which confirms the interest of Tąpies in the images of everyday environment (Two Chairs, 2009) and by the nature of art (Land of Shadow I, 1988).

The visit ends with the screening of the documentary Tąpies (1969), by Clovis Prévost, produced by Maeght, Paris, projected in the Auditorium of the Fundació (Space C).


List of works

Level 1

Zoom, 1946
Parafaragamus, 1949
Creu de paper de diari, 1946-1947
Dibuix, 1948
Carbó i tinta, 1948
Gran matčria amb papers laterals, 1963
Taula capgirada, 1970
Sčrie Histņria Natural, 1950-1951
Gris, taronja i rosa, 1967
Verd-blau i palla, 1968
Cadira i roba, 1970
Fusta i finestres, 1976
Composició amb nśmeros, 1976
Fusta i tela metąl·lica, 1971
Pintura sobre isorel i collage blanc, 1964
Arc de terra, 1978

Level -1

Sabatilla, 1986
Parla, parla, 1992
Pintors malvats, 1988
Dues formes, 1999
Bloc amb signes, 1988
Dķptic de vernķs, 1984
Cartó amb T negra, 2000
Dues cadires, 2009
Amuntegament de terra, 1989
Terra d’ombra I, 1998